In the
spring, following a trip to Scottsdale to see some Cactus League games, I
stockpiled books about baseball – books expressly (Bottom of the 33rd, by Dan Barry), literarily (The Great American Novel, by Philip
Roth), or tangentially (The Girl Who
Loved Tom Gordon, by Stephen King) about the game – for my summer reading.
This was a
stupid idea, of course. I’ve spent more time with my nose in the handy digest Who’s Who in Baseball 2012, easily
consulted during a game without missing a pitch, than with any of these books. There’s
just too much baseball to watch, and too much entertaining sportswriting to read,
competing for one’s time; the more fanciful, baseball-adjacent reading endeavors
have to wait for November (or, at least, the All-Star break).
That said, before
my book-reading attention was pulled elsewhere, I made it halfway through Bottom of the 33rd (by page
count; it’s only the 10th inning) and entirely through The Bad News Bears in Breaking Training,
by Josh Wilker.
Bottom of the 33rd is New York Times columnist Dan Barry's account of the longest
professional baseball game yet played, an 8-hour International League contest
in Pawtucket in 1981 that ended at three in the morning on Easter Sunday.
The entire
book’s structure is reminiscent of the opening chapter of Don Delillo’s Underworld, as Barry roams the field and
the stands, picking up the stories of the assorted minor leaguers, ballpark
employees, and fans, before and during the game and, in some cases, thirty
years later.
If Barry
presses too hard for the mythopoeic in the early going, he settles down nicely
long before the extra innings, and I look forward to picking up the book again.
The Bad News Bears in Breaking Training is a twenty thousand-word monograph on the first
of the universally-dismissed sequels to the classic Walter Matthau-Tatum O’Neal
comedy. It’s part of the intriguing “Deep Focus” series from Soft Skull Press:
vest-pocket long-form critical views of crappy, secretly-great flicks from the
‘70s and ‘80s. (Other books in the series cover Death Wish, Heathers, and They
Live.)
The author,
Josh Wilker, is the proprietor of the terrific blog Cardboard Gods, documenting
his obsession, then and now, with the baseball cards of his youth. He takes a similar,
then-and-now look at the movie – what it meant to him at the time of its
theatrical run, when he was a Little Leaguer himself, and throughout more
critical viewings as an adult.
He also
makes an interesting case for the movie as an unknowing vessel for the feeling
in the country during the transition from Jimmy Carter’s America to Ronald
Reagan’s. Cheap genre entertainments, like children, will absorb what’s in the
air:
“Everyone
best knows what his or her nation is as a kid because when you’re a kid, you
feel it. Later on, as an adult, you have a better intellectual understanding,
maybe, but the feeling isn’t as direct.”
This is an
example of the sort of simple truth that woolgathering about the national
pastime leads one to. It’s also precisely the sort of thing that sports fans
who hate baseball hate baseball for,
but who cares? No one writes books for those jerks.
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